Gustav Mahler
- The final movement Das Lied von der Erde, "The Farewell", is nearly as long as the previous five movements combined. Its text is drawn from two different poems, both involving the theme of leave-taking.
- "The sun sinks beyond the hills, evening descends into the valleys with its cooling shade. See, like a silver boat the moon sails up into the lake of the sky. I sense a soft wind blowing beyond the dark fir-trees. The brook sings melodiously through the dark. The flowers grow pale in the twilight. The earth breathes a deep draught of rest and sleep. All longing now will dream: tired people go homewards, so that they can learn forgotten joy and youth again in sleep! Birds sit motionless on their branches. The world is slumbering! It grows cool in the shade of my fir-trees. I stand and await my friend, I wait for him for our last farewell. O friend, I long to share the beauty of this evening at your side. Where do you linger? Long you leave me alone! I wander here and there with my lyre on soft grassy paths. O Beauty! O endless love-life-drunken world!
- He dismounted from the horse and handed to him the drink of farewell. He asked him where he was bound and why it must be so. He spoke, and his voice was muffled: 'You, my friend, Fortune was not kind to me in this world! Where do I go? I am departing, I wander in the mountains. I am seeking rest for my lonely heart. I am making my way to my home, my abode. I shall never stray far away. My heart is still and awaits its moment.'
- The beloved Earth blooms forth everywhere in Spring, and becomes green anew! Everywhere and endlessly blue shines the horizon! Endless... endless..."
- (The last lines were added by Mahler himself.) The singer repeats the final word like a mantra, accompanied by a sparse mix of strings, mandolin, harps, and celesta, until the music fades into silence, the final chord "imprinted on the atmosphere" as Benjamin Britten put it.The last movement is very difficult to conduct because of its cadenza writing for voice and solo instruments, which often flows over the barlines, "Ohne Rücksicht auf das Tempo" (Without regard for the tempo) according to Mahler's own direction. Bruno Walter related that Mahler showed him the score of this movement and asked, "Do you know how to conduct this? Because I certainly don't." Mahler also hesitated to put the piece before the public because of its relentless negativity, unusual even for him. "Won't people go home and shoot themselves?" he asked.
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