Today’s painting by Fra Angelico is a difficult image. It does not offer immediate comfort or ease. Yet, as we reflect on today’s Gospel reading, where we hear that “The Son of Man must suffer many things”, we realise that this painting is actually a very fitting image. Most artists depict Christ’s suffering through the Via Crucis, the Flagellation, or the Crucifixion itself, using dramatic compositions filled with physical anguish. But very few portraits manage to convey the depth of Christ’s inner suffering in such a stark and haunting way, as today's painting.
Each year, I choose an artwork to accompany me through Lent in prayer. This will be my image for this year. I have printed it and hung it in my room. I know it will both draw me in and yet unsettle me—which is precisely why it is such a powerful piece. The most profound artworks often do both: they invite us into their mystery while confronting us with truths we might prefer to avoid.
Fra Angelico, one of the greatest painters of the 15th-century Italian Renaissance, was known for his contemplative, luminous style, which reflected his deep spirituality. His paintings often exude a sense of serenity, yet this particular image is different. It is not a merely devotional painting; it is deeply challenging. And that is precisely the point of Lent. We should be challenged and unsettled! Lent reminds us that suffering is woven into the fabric of life; a Christ's suffering into the fabric of our Christian lives. This painting seems to strip away all distractions, leaving us face to face with Christ’s sorrow.
Fra Angelico was born in Tuscany, where he entered the Dominican Order, taking the name Fra Giovanni da Fiesole, though history remembers him as Fra Angelico, meaning “the Angelic Brother.” His most famous works include the San Marco frescoes in Florence. These serene compositions reflect his deep theological insight and prayerful approach to art. Invited to Rome by Pope Eugene IV, he later painted frescoes in the Vatican’s Niccoline Chapel, solidifying his influence on sacred art. His reputation as both a holy man and an extraordinary artist led to his beatification by Pope John Paul II in 1982, and today, he is venerated as the patron saint of Catholic artists, a testament to his belief that art should serve as a window to divine truth.
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