The TV witch
accused of casting the hex that killed James Dean: “Darling, come and join me!”
Wed 6 November 2024 20:15, UK
The death of any young Hollywood star in the prime of their fame
sends shockwaves through the industry. Jean Harlow, Sharon Tate, River Phoenix,
and Heath Ledger all died t incredibly young ages and continue to be
mythologised today for the roles they played and the potential they never got
to explore fully.
Of all the premature movie star deaths, however,
James Dean’s looms particularly large.
The actor was just 24 when he crashed his Porsche into another car in September
1955 and died on the scene. At the time, he was just bursting onto the
Hollywood stage as the most exciting young talent since Marlon Brando a few
years before. He had made just three movies (though he had appeared as uncredited
extras in several others), East of Eden, Rebel Without a
Cause, and Giant. The latter two were released after his death,
and the former made him the first actor to posthumously win an Academy Award.
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When Dean died, conspiracy theories abounded. One
of the most prominent was attached to the car that
he was in, a 1955 Porsche 550 Spyder that he dubbed the “Little Bastard.” Actor
Alec Guinness claimed, rather improbably, to have dined with Dean by chance the
week before his death and warned him point blank that if he got into the car,
he would be dead within seven days. The man who bought the totalled car later
claimed that it was cursed, detailing stories about how it burst into flames in
a garage and had been part of multiple accidents over the years.
But perhaps the strangest mystical theory about
Dean’s death involved a prominent television witch. Maila Nurmi was an American
actor who developed a character called Vampira, who became television’s first
horror host. Modelling herself as a witch, Nurmi had jet black hair,
dramatically arched eyebrows, and long pointed nails. Her show, The
Vampira Show, aired on Los Angeles’s local television station from 1954 to
1955, and she went on to become an actor in cult sci-fi movies like Ed
Wood’s Plan 9 From Outer Space. Her brand of the occult was
decidedly campy, but there was a rebellious edge to it, too. She overtly mocked
the housewife stereotype and played up her sexuality in ways that only a
self-professed witch could get away with at the time.
It was this persona, one that made 1950s audiences
equally uneasy and fascinated, that led to the legend of her involvement in
Dean’s death. Given the sources at the time, it’s impossible to know exactly
where fact ends and myth begins, but it is clear that Nurmi was a friend of
Hollywood’s newest heartthrob, and possibly a lover according to some sources.
She even built an altar to him over fears about his car racing.
Both were interested in mysticism and the occult,
but when columnist Hedda Hopper questioned Dean about Nurmi, he retorted, “I
don’t go out with witches.” This comment gave Hopper plenty of grist for the
mill, and she began writing stories about Nurmi summoning black magic to punish
Dean for spurning her.
Four months after Dean’s death, Whisper magazine
ran an article titled “James Dean’s Black Madonna: The Most Chilling and Tragic
Love Story in Hollywood History,” in which it published a postcard showing
Nurmi sitting by an open grave with the caption, “Darling, come and join me!”
Under the photograph, the magazine enticed readers with a juicy sentence: “It’s
a story so chilling, so gruesome and macabre, that more than once in the course
of tracking it down this reporter was tempted to drop it cold and run.”
Nurmi didn’t help matters by attending a Hollywood
costume party shortly thereafter with a date dressed as a bandaged James Dean.
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