Tuesday, 23 January 2024

 

Mark 3:31-35
Your mother, brothers and sisters are outside

The Throne of God,

Painted by Sister Gertrude Morgan (1900-1980),

Executed in 1968

Oils and pastels on canvas

© Christian Art

Gospel Reading

The mother and brothers of Jesus arrived and, standing outside, sent in a message asking for him. A crowd was sitting round him at the time the message was passed to him, ‘Your mother and brothers and sisters are outside asking for you.’ He replied, ‘Who are my mother and my brothers?’ And looking round at those sitting in a circle about him, he said, ‘Here are my mother and my brothers. Anyone who does the will of God, that person is my brother and sister and mother.’


Reflection on the painting

Today's Gospel passage makes for quite uncomfortable reading at first. It seems that Jesus is somehow ignoring his family. But of course he isn't. His family is described twice in this short passage as being on the 'outside'. They are indeed physically outside the building Jesus was in. In that sense they are 'outsiders'. This implies that those sitting in a circle with Jesus are on the 'inside', the insiders. The point Jesus is making here is simply that being on the 'inside' is not just a question of location, but of relationship. That relationship also is not by blood. That relationship to be on the 'inside' is by following and engaging with Jesus. To be a Christian is to enter inside a new family, a larger family, linked by strong bonds, united in Christ.


In the art world over the years I have often heard about certain artists being 'outsiders'. The term 'outsider' in the arts carries both a positive and a negative connotation. On the positive side it can mean that the artist carries a certain rebellious streak, an aversion to the mainstream, which then gets celebrated. But in the negative sense, being an outsider can also mean that the artist gets snubbed by the mainstream galleries, art critics and collectors. Those outsider artists are just not part of the inner circle, which at times can be elitist.


A good example of such an 'outsider' is Sister Gertrude Morgan who painted between 1940 and 1980, in her own unique, non-mainstream way. She simply painted these lovely innocent, folk art canvasses, which were largely dismissed at the time. She was on the outside of the art world, yet a true 'insider' with Jesus, moving her brush for his glory…


Because we are adopted brothers and sisters of Jesus, his heavenly Father is our heavenly Father, and we also call on the mother of Jesus as our mother. As a church, we are indeed privileged to be members of a very special family!

6 comments:

  1. "No review of Granny Barkes by you will appear. And the reason is that you are not capable of reviewing such an innovative work."

    Gene, do stop it, you self-important, narcissistic oaf. Granny Barkes, even judged as shit, is shit.

    It terrifies me to think that you actually believe "Granny Barkes fell in Woolworths" to be an innovative work of art.

    Who could be that deluded and still retain any kind of grip on sanity?

    Granny Barkes is not a work of art, nor is it innovative:. It is a scrapbook, a random gallimaufry such as anyone could assemble simply by opening the Oxford Book of Quotations, pointing at random places on the page and copying out the result.

    The result is six thousand words of meaningless verbal salmagundi, utter piffle without form, rhythm or meaning, bulked out with a random collection of out of copyright photographs.

    Amazon has a secure view of its worth. Having refunded the £5.00 that I spent on buying it I was instructed not to bother returning the book, a policy they adopt for goods that they sell of no value whatsoever. Granny Barkes is therefore commercially worthless as well as artistically null.

    And the proof of the pudding is in the book's reception. At 1252 today it is at number

    863,945

    in the Amazon Best Sellers List, and fall of over

    4000 places

    since breakfast. Your ludicrous booklet is being protractedly flushed down the commercial toilet where it belongs, with the rest of the shit.

    Innovative work of art - for fuck's sake.

    And when are you going to publish the evidence - a bookshop window or a window display, a notice in the Uxbridge and Hillingdon Times, anything - to support your assertion that your booklet is selling like hot cakes?

    And a first print run of 20,000 copies for a booklet of crap by an unknown British author? Ridiculous, the more so as when you google the address of your publishers - The Rattlesnake Press Gilman Drive, La Jolla, California - you get a publication by the City of San Diego,

    "COASTAL RAIL TRAIL – GILMAN DRIVE SEGMENT" - a Biological Technical Report.

    Mind you, it probably makes more sense than Granny Barkes fell in Woolworths - but there again, nearly everything does.




    ReplyDelete
  2. "And when are you going to publish the evidence"

    And when are you going to publish the review?

    GENE

    ReplyDelete
    Replies
    1. When you publish the evidence

      No.

      Thought not. Even as accomplished a bullshitter as you can’t get round the fact that “Granny Barkes fell in Woolworths”, an online only KPD print-to-order vanity publication has made as much impression on the literary public as does a wet fart on a hurricane.

      Delete
    2. Even as accomplished a bullshitter as you Detterling can’t get round the fact that “Granny Barkes fell in Woolworths” will never be reviewed by you. You simply are not capable.

      Nevertheless, reviews are coming in thick and fast from The Sydney Morning Herald. The Huffington Post, The Sun, Rolling Stone, and the New York Review of Books.

      GENE

      Delete
  3. Give dates of publication of these reviews.

    ReplyDelete
  4. Googled "Granny Barkes fell in Woolworths" in New York Review of Books.

    Picked up a reference from 2008 about F W Woolworth and Co, otherwise fuck all.

    Pull the other one, it's got bells on.

    ReplyDelete