aint Anthony of Padua, born Fernando Martins de Bulhões in 1195 in Lisbon, Portugal, was a Portuguese Catholic priest and friar of the Franciscan Order. He was canonised by Pope Gregory IX in 1232, less than a year after his death. In 1946, he was proclaimed a Doctor of the Church by Pope Pius XII. In 1220, he joined the Franciscan order, driven by the desire to preach to the Saracens (Muslims) and achieve martyrdom. On his journey to Morocco, he fell seriously ill and was forced to return home. However, his ship was blown off course and eventually landed in Sicily. Due to his continuing poor health, he was unable to pursue his missionary work among the Saracens. Instead, he taught theology at Bologna, Italy, and at Montpellier, Toulouse, and Puy-en-Velay in southern France. He gained great admiration as a preacher, known for his simple yet profound teachings of the Catholic faith. He died en route to Padua, where he is now buried.
One of the most famous stories associated with Saint Anthony is the account of him preaching to the fishes, which underscores his dedication and the miraculous nature of his ministry. It occurred in the town of Rimini, Italy, where the local people were resistant to his preaching. Frustrated by the lack of response from the townspeople, Anthony went to the seashore and began preaching to the fish. Miraculously, a large number of fish gathered, poking their heads above the water as if listening intently to his sermon. Anthony addressed the fish, praising God for their creation and marvelling at their obedience and attentiveness, in contrast to the stubbornness of the human audience. Witnessing this miracle, the townspeople were moved, leading to many conversions and renewed faith among them.
Our painting, made for the Convent of San Antonio de Padua in Seville, has been historically attributed to Francisco Herrera the Elder, new scholarship indicates it could be by Alonso Cano, who trained with Diego Velázquez in Seville. The painting depicts Saint Anthony Preaching to the fishes. They hold their heads out of the water to better hear his sermon. Here, the saint is shown kneeling and opening his arms to the fish, while a fellow Franciscan gestures in surprise at the miracle. The size, scale, and loose painting technique suggest that the work was meant to be seen from a distance.
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