Understanding the full significance of certain events often requires the passage of time. In the moment, as the events unfold, their true meaning often eludes us. It's only with the benefit of hindsight, after we've moved beyond the immediate context of these happenings, that we can look back and comprehend their deeper implications. This retrospective view offers us insights that are simply unattainable in the midst of the experience. The same can apply in art. At the time when an artist has painted a work, it is often not understood or can even be misunderstood. Only years later, when a 'retrospective' of the artist's work is organised, can we understand what the artist wanted to convey and how important his or her oeuvre is.
This notion is poignantly illustrated in this evening's gospel reading. After Jesus washes his disciples' feet, he tells Peter, 'At the moment you do not know what I am doing, but later you will understand'. Initially, Peter couldn't grasp the significance of Jesus's actions; his strong resistance was a testament to his confusion. However, it was only after Jesus's death, resurrection, and the descent of the Holy Spirit that Peter and the other disciples came to understand the profound lesson of servitude and love embodied in Jesus's act of washing their feet. The retrospective view helped them to finally make sense of things.
The retrospective exhibition of an artist, especially after their passing, serves as a lens through which we can more fully comprehend the essence of their body of work and the intentions that lay behind it. At the time, an artist's work might be met with confusion, skepticism, or outright misunderstanding. The true depth of vision and the nuances of the artist's message often remain obscured by contemporary biases. However, with the distance provided by time and the finality of the artist's oeuvre sealed by death, a retrospective offers a unique opportunity for reevaluation and deeper understanding. Moreover, the passing of an artist often liberates their work from the immediate contexts that may have constrained its reception.
I recently saw a retrospective on Mark Rothko. It was a magnificent display encompassing his whole oeuvre. After seeing his body of work, I understood it much better; it opened up for me the artist's importance. Seeing the whole picture of his oeuvre, made me understand the artist better. Seeing the whole picture of Christ with his Passion soon to be upon us, makes us understand him better. I thought I would therefore simply show a 'blood red', a 'Passion red' Rothko canvas for today.
The Passion of Our Lord is upon us.... in a few hours' time...
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